Bolognini drops a hint of this in Mr. Puglisi’s refusal to bring any cigars to his talk with Alfio to break the news about Antonio’s impotence. After amassing notoriety in Rome, a conflicted Antonio returns home to Catania where tales and gossip of his sexual exploits have taken on mythic proportions. Bolognini breaks the common verisimilitude of narrative space to depict, cinematically, Antonio’s subjective state. For me the best looking scene was the one when he meets Julia in Rome by the famous fountain Di Trevi a day before he returns for Catania. Il Bell’Antonio is a tragicomic examination of sexual impotence. Why make such a tremendous fuss about nothing? Other sequences using this subjective camera include that showing Antonio’s run after learning that the news of his impotence has reached his parents. At the film’s end Bolognini places a somewhat vindicated Antonio in front of a mirror and tracks in on his reflection as Edoardo (Tomas Milian) congratulates him on becoming a man; at which point the focus is softened and Antonio’s reflection is superimposed on the wall behind, helping to equate conformity with normality (5). Bolognini’s penchant for adapting the literary works of Italian writers such as Vitaliano Brancati, Alberto Moravia and Italo Svevo provided a canvas for his “cultivated feeling for the visual characteristics of Italian cities” and a window for showcasing an “astuteness in the cinematic reconstruction of time lost” (2). Via Vittorio Emanuele II, Catania, Sicily, Italy, Francesa Antonio can also project love; somewhat clouded by his need to be accepted for who he is. But hovering precariously over Antonio’s magnetic effect on women is the fact that he his sexually impotent. Il bell'Antonio (TV Movie 2005) cast and crew credits, including actors, actresses, directors, writers and more. Antonio, who has for a long time being impotent and was treated as a Herculean symbol of manhood, has betrayed his patriarchal lineage. El Bello Antonio - (Il Bell'Antonio); dirigida por Mauro Bolognini en 1960 también conocida como Il Bell' Antonio. A humble clerk courts a woman who night after night awaits for the return of her lover. An odd Sicilian social drama only about sex. On a trip home from Rome, where he studies ... See full summary », Women love handsome Antonio because they think of him as the perfect lover. But he has problems to fullfill this ideal and Barbara only notices his failures when they are married. The soundtrack of the movie is simply wonderful! Add the first question. With Daniele Liotti, Nicole Grimaudo, Luigi Maria Burruano, Marcello Perracchio. What to Watch if You Miss the "Game of Thrones" Cast. In the family there is a young delicate maid, and she eventually gets into an awkward situation. When he arrives to Catania he finds that nothing is changed and that there are old rules he must obey. When doubt becomes an obsession , his behavior becomes completely crazy , stalking her relentlessly. Looking for something to watch? With Marcello Mastroianni, Claudia Cardinale, Pierre Brasseur, Rina Morelli. However, in Il Bell’Antonio the director achieves a cinematic fragmentation of masculine subjectivity in a rare and special way. Il Bell’Antonio is cinema. View production, box office, & company info. (1960). As the camera tracks along, Bolognini and Nannuzzi allow the lens to flare, emphasising Antonio’s dizzy spell; the realisation that his faith in a new symbolic order, as well as his hopes to escape patriarchy, have imploded upon him. 0 of 0 people found this review helpful. Regista, attori, sceneggiatori, musicisti e tutto il cast tecnico. Bolognini starts Il Bell’Antonio with an opening scene reminiscent of a film that came out the year before its release, Alain Resnais’ Hiroshima mon amour (1959). Women love handsome Antonio because they think of him as the perfect lover. Cutting from a mirror shot to Antonio and his lover on a bed, the director sets up the theme of multiplicity, and also the return to the mirror in the final shot of the film. There are any number of marriages where the married couple have decided not to have children and not to have sex, and in Italy, if you don't care about any sexual life at all, it is very simple for you to become a priest or a monk - they live naturally without sex and are obliged to do so. For L. Sciascia, the book depicts the 'misfortune of living under a despotism' ('To sleep only with one eye' - Introduction to the Complete Works of V. Brancati). They discover they cannot escape their past. The obvious doesn't always have to be true, while the whole truth never is completely evident. Antonio Magnano is 30 years old and living in Rome for the past ten years.The second world war is just about to begin. Claudia Cardinale, Fulvia Mammi, Marcello Mastroianni, Pierre Brasseur, Rina … Durata 105 minuti. After a telephone call from his father in which he informs him that he knows of his love affair with a wife of a justice minister he tells him that he can't give him any more money. Want to share IMDb's rating on your own site? You must be a registered user to use the IMDb rating plugin. Directed by Mauro Bolognini. After a year goes by, Antonio’s secret is soon exposed and Barbara’s father gets the church to annul the marriage on the basis of their failure to respect the will of God. Women love handsome Antonio because they think of him as the perfect lover. For Antonio however, his assumed virility automatically infers his power on the political tier. He projects this love onto a picture of Barbara whom he hasn’t even met. It is Sicilian, and in Sicily any absurdity is possible and taken for real, often turning reality itself into a mess of absurdities, but here, as a non-Sicilian, you must wonder: what's all the fuss about? Bolognini’s unwillingness to impose his own vision or his own personality on his works may have led to a degree of critical neglect, even within Italy, for his impressive tally of over 40 films. After the opening credits, Antonio’s first words in the film are to Rosaria as he walks up to the family apartment. Con Claudia Cardinale, Marcello Mastroianni, Rina Morelli, Pierre Brasseur, Tomas Milian. Was this review helpful to you? Use the HTML below. Ona důvěrná zpráva uniká na veřejnost a Antonio je celému městu pro… A connection between the complex sexuality of southern Italian males and the mentality of Fascism is a theme in Brancati’s novel (6). Sinopse. Earlier tracking-shots of Antonio arriving in Catania impose the calm and handsome Mastroianni on the sexual iconography of the city; phallic buildings, long dark streets and corridors, and oval shaped gateways. But he has found a new lover. But during his desperate run along those same streets to Mr. Puglisi’s office nothing holds up the world inside the frame. Such traits led the film critic Pietro Bianchi to label him “the most Proustian among Italian directors” (3). At least until the day he meets Angiolina Zarri, a beautiful ... See full summary ». But he has problems to fullfill this ideal and Barbara only notices his failures when they are married. Danielle Liotti does not play Antonio as just a womanizer but he gives his character a depth. Title: Bell' Antonio Film Completo by Film\u0026Clips english \\ spanish \\ potuguese \\ turkish subtitlesdi Mauro Bolognini. User Ratings Pubblicato nel 1949, Il bell’Antonio di Vitaliano Brancati fu cinematograficamente trasposto dieci anni dopo da Mauro Bolognini sulla base di una sceneggiatura iniziata da Gino Vicentini e completata da Pier Paolo Pasolini. Women love handsome Antonio because they think of him as the perfect lover. This FAQ is empty. Bolognini shows that Antonio can project his fear of social emasculation by having him question the virility of a newly elected official at a party. Dora, driven away from her town by malicious gossip following her first love affair, has a series of short-lived adventures until she falls in love with Nino, a small time crook. Antonio je krásný a těší se pověsti - podobně jako všichni muži v jeho rodině - úžasného milence. Gazing up from the picture, Antonio suddenly turns to catch a look of himself looking at himself in the mirror. Police commissioner Santamaria is investigating the murdering of the ambiguous architect Mr. Garrone.