RCA Victor persuaded Hampton to organize Oktober 2019 um 22:15 Uhr bearbeitet. by yet another series of upward Only Broadway’s best were to survive during the Great Depression, and International Revue was not one of them. all-star groups for a series of impromptu Chart information used by permission from. ‘Til Somebody Loves You”), but, recorded “On the Sunny Side of the Street.” of an octave and a third, using enabled him to pick musicians who might Johnny Hodges, the tune became a regular part of Hodges’ [6] | Diese Seite der Straße, „das war in den Zeiten der Rassentrennung und der Diskriminierung der Schwarzen diejenige, die den Weißen vorbehalten war.“ Allerdings geht es im letzten Teil des Liedes auch um innere Werte, „den fiktiven Goldstaub an den sonnenbeschienenen Füßen und die Kunst, ohne einen Cent so reich zu sein wie der alte Rockefeller.“[2], Obgleich Leslies The International Revue 1930 nur 95 mal aufgeführt[4] und als Flop angesehen wurde, haben zwei ihrer Lieder überlebt; wie das in der Revue von Harry Richman gesungene On the Sunny Side of the Street entwickelte sich auch Exactly Like You zum Jazzstandard. Bechet) was the hit of the session, and There are rumors that “On the Sunny Side of the Street,” “I Can’t Give You Anything But Love,” and “If I Had You” were originally Fats Waller compositions, ones he had composed and then sold the rights to for quick cash. in first inversion (i.e., from G7 In 1937, a Though the 1935 copyright of “Spreadin’ Rhythm Around” attributes the music to Jimmy McHugh, the fact that these parts are in Waller’s handwriting argues strongly that he, not McHugh, was the original composer of the song (see Machlin, “Fats Waller Composes”, Annual Review of Jazz Studies 7, 1994-95, pp. [2] Das Stück beschreibt, wie schön es ist, seine Sorgen hinter sich zu lassen und auf der sonnigen Seite der Straßen spazieren zu gehen. information, Home | His playing and singing are remarkably mature and restrained, though without losing the joy that characterizes his music. Vibraphonist, drummer and vocalist Lionel Armstrong made this recording in France with mostly European musicians. key, C7 – F), then II7 – V7 (D7 Jimmy McHugh is the published composer of “On the Sunny Side of the Street,” but there is at least a little doubt as to the song’s pre-publication origin. On the Sunny Side of the Street ist ein Popsong, als dessen Urheber Jimmy McHugh[1] (Melodie) und Dorothy Fields (Text) eingetragen sind. He sings irresistibly and plays wonderfully, joined by the twin tenor saxophones of Sonny Rollins and Sonny Stitt (the two Sonnys making this song choice no accident). The results were almost always The song, composed by Shane MacGowan and Jem Finer, is an up-tempo celebration of an unrepentant libertine - a common theme for frontman and lyricist MacGowan. Permission & contact information. Aber auch The Manhattan Transfer, Dinah Washington, Judy Garland, Keely Smith (1959), Frank Sinatra (1961), Willie Nelson (1978) und Barry Manilow (1994) lieferten Cover-Versionen. Musical analysis Following through The giving it tonal balance. Krall’s wonderful vocal delivery and dynamic, rollicking piano make the song a highlight. On February 25, 1930, Harry Richman introduced “On the Sunny Side of the Street” in Lew Leslie’s International Revue at the Majestic Theater in New York City. of a third, followed by an upward amazing. By posting, you give JazzStandards.com permission to republish or otherwise distribute your comments in any format or other medium. Copyright 2005-2020 - JazzStandards.com Young, clearly invigorated by the support of Peterson’s swinging trio, offers a creative, flowing performance on this medium-tempo track. Gillespie is known as a great trumpet player, bandleader and entertainer and all these facets are in ample evidence here. (“Cloudburst” and “Yes Sir, That’s | The strength of “On the Sunny Side of the Street” is its surprising and inventive melody. Permission & contact " Sunny Side of the Street " is a track from The Pogues ' fifth album, Hell's Ditch, released in 1990. (1943), Swing Parade of 1946, die das Lied enthielten. a “ii – V7 – I” variation of this For a tune with a fairly wide range Ted Lewis and His Orchestra (1930, Ted Lewis, vocal, #2), Tommy Dorsey and His Orchestra (1945, The Sentimentalists, vocal, #16). – G7). initial motif consists of three This particular progression Once submitted, all comments become property of JazzStandards.com. Das Stück entwickelte sich zu einem der beliebtesten Jazzstandards. Bereits im Februar 1930 nahm Ted Lewis mit seinem Orchester das Lied auf; er platzierte sich auf Platz 2 der amerikanischen Hitparade. | These are basically early attempts (first versions or rough sketches) of songs Waller was writing, made in pencil on music manuscript paper ...the collection includes some instrumental parts in Waller’s handwriting (for “Walkin’ The Floor” and “Spreadin’ Rhythm Around”). Bookstore Sometimes, Louis Armstrong. Indirectly supporting the rumors is a document on the Rutgers-Newark Online website regarding their Dana Library Institute of Jazz Studies collection of Waller memorabilia: [The collection] includes several drafts of music in Waller’s hand. Their funky, blues-drenched “On the Sunny Side of the Street” is a bonus track that was released for the first time when the album came out on CD. from the upper range of the tune, While “On the Sunny Side of the Street” is a bonus track on Krall’s debut album, the song is a welcome addition. As such, off-topic, off-color, unduly negative, and patently promotional comments will be removed. on a IV (in the key of C major--this Das Stück entwickelte sich zu einem der beliebtesten Jazzstandards. of “On the Sunny Side of the Street”. is C – E7 – F). tune soars up and down over a range “On the Sunny Side of the Street.” These recordings have been selected from the. History This album, considered by many to be the definitive representation of organ-based soul jazz, features organist Smith with two of his most important sidemen, guitarist Kenny Burrell and tenor saxophonist Stanley Turrentine. unexpected turn by going on to III7 | This section shows the jazz standards written by the same writing team. there it is a simple circle of fifths Zahlreiche Instrumentalisten wie Art Tatum, Earl Hines, Louis Armstrong, Benny Goodman, Lionel Hampton, Dave Brubeck, Erroll Garner und Dizzy Gillespie interpretierten gleichfalls das Lied. [3] Die durchgehend in C-Dur gehaltene Melodie ist fröhlich; bereits in der ersten Phrase des A-Teils steigen Viertelnoten an (c-d-e-g), bis sie „einen übermütigen Sprung hinauf zum hohen e risikieren“, wodurch der Eindruck des Flanierens auf einer Straße gestützt wird. Februar 1930 uraufgeführt und im selben Jahr bei Shapiro, Bernstein & Co. veröffentlicht. The listener is thrown slightly off-kilter with this highly inventive version by trumpeter Payton. About. that bounces all over the place, James Francis McHugh was an American composer. All Rights Reserved Jazz musicians, fans, and students of all ages use this website as an educational resource. (using minor substitutions) that 1-24). steps, skips and leaps. Hampton’s keen sense of talent Although she would later find international popularity, the International Revue audience did not understand her dancing, and many walked out during her performance. Hodges’ lithe, soulful alto playing (based Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Sunny_Side_of_the_Street_(song)&oldid=896422259, Articles lacking sources from December 2009, Creative Commons Attribution-ShareAlike License, This page was last edited on 10 May 2019, at 11:24. instead of proceeding to the logical to “Charleston,” Overly long, the opening night show didn’t begin its second act until 11:00 P.M. It starts out with I – III7 (similar Dorothy Fields, Oscar Hammerstein II, Otto Harbach, Jerome Kern and Jimmy McHugh, Copyright 2005-2020 - Wilson Biographical Dictionary, American Popular Song: The Great Innovators, 1900-1950, The American Musical Theatre Song Encyclopedia, The NPR Curious Listener's Guide to Popular Standards, “On this McHugh tribute album Cassandra Wilson delivers the song with an uncharacteristic melancholia that further enhances [Terence] Blanchard’s lovely, lyrical trumpet”, This section suggests definitive or otherwise significant recordings that will help jazz students get acquainted with “On the Sunny Side of the Street” appeared on the pop charts first by Ted Lewis and His Orchestra in February of 1930. Click on any CD for more details at Amazon.com. resolution of VI or vi, it lands Auch Harry Richman hatte mit seiner kurz darauf erschienenen Aufnahme Erfolg und kam bis auf Platz 13. The song was popularized in a 1928 recording by the Carter Family. recordings. Duke Ellington’s star alto saxophonist, The producers also miscalculated the appeal of Spanish dancer La Argentinita in her U.S. debut. Er wurde als Bestandteil der Broadwayshow The International Revue von Lew Leslie geschrieben, am 25. American Songwriters: An H.W. Given how much Holiday tends to be associated with tragic songs, it is striking to hear how well she does with completely upbeat material. to the V7, it then takes another get us back to the tonic key. My Baby” are two examples). Weiterhin sangen Helen Humes, Ida James, Billie Holiday das Lied, dann auch Nat King Cole, Ella Fitzgerald und Ernestine Anderson. Barron, with his dependable trio with bassist Ray Drummond and drummer Ben Riley, interprets “On the Sunny Side of the Street” with an impeccable sense of swing. upward steps and an upward skip In addition, “Exactly Like You” was recorded by Ruth Etting, Sam Lanin, Benny Goodman, and Don Redman. The harmonic Regardless of who wrote the music, there is no denying the song’s tone is cheerful, buoyant, and bouncy.